Stemming from a typological difference between English and Slavic languages, the paper raises prosodic, semantic, and semiotic problems of translation. Attention is paid also to two Czech translations by Josef Jungmann (1811) and Josef Julius David (1911) that have served as a substitution for the non-existing Slovak translation up to the present. The necessary starting point is the genre to which the poem belongs. Lewis began his landmark book A Preface to Paradise Lost. Before I discuss the content of Paradise Lost, I need to begin where C.S.
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From the point of view of contemporary translation studies, corrections of Milton or omissions from the text due to the personal denomination of the translator, as we can see in some earlier Russian or Polish editions, are unacceptable. Paradise Lost was the work that had been instrumental in this person’s conversion. The music video with the songs audio track will automatically start at the bottom right. Below you will find lyrics, music video and translation of Paradise Lost, Book 1 - John Milton in various languages. Various types of verse as a replacement of Milton’s blank verse were adopted, depending on the tradition of the target language. The Translation of Paradise Lost, Book 1 - John Milton in Spanish and the original Lyrics of the Song. The chapter then turns to the only French translation, or rather ‘imitation’, done by a woman writer. Due to typological differences between languages, especially in semantic density, some translations were substantially longer in comparison with the original. This chapter surveys the eighteen French translations of Paradise Lost, from the earliest ‘elegant’ prose translation of Dupré de Saint-Maur (1729), to the latest, Himy’s translation into unrhymed verse (2001), with due attention to Chateaubriand’s most renowned translation (1836).
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The survey shows the shift in the translation method from the earliest prose renderings, usually from other translations, to newer editions with translations in verse.
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The paper attempts to map translations of Milton’s “Paradise Lost” into Slavic languages and its place in their cultures from the first Russian and Polish editions to the latest Ukrainian and Slovak ones.